尊敬的各位來賓：
我們面前的這座高大宏偉的樓閣就是著名的光岳樓。
光岳樓是國家歷史文化名城-----聊城的象征。它建于明洪武七年（即公元1374年），距今已經有631年的歷史了。光岳樓據于聊城古城的正中心，在當時建造這個樓閣的主要作用是：“嚴更漏，窺敵望遠，報時報警”的軍事作用。樓閣體現了宋元建筑到明清建筑的一種過渡，在中國建筑史上具有很高的地位，所以在1988年的時候就被評為國家重點文物保護單位。
光岳樓占地面積1236平方米，外觀為四重檐歇山十字脊過街式樓閣，有東、西、南、北四個拱門，四門相通，券上方砌門額，南曰“文明”，北曰“武定”，西曰“興禮”，東曰“太平”。從建筑結構上說它與同時修建的西安的鐘鼓樓相同，都是由墩臺和主樓兩部分組成，我們看到的用磚石砌成的高9米的（準確的說是9.38米）就是墩臺，主樓位于墩臺之上，高度為24米，整個樓閣的通高和底邊長都是33米，也就是古代的九丈九尺，在中國古代九為陽數之極，寓意著它的高度是不可超越的。631年來，光岳樓一直是聊城古城區最高大最雄偉的建筑。
接下來就請大家隨我等樓參觀。（登樓伊始）
因為這個樓閣在當時建造它是軍事作用，所以上下通道只有這一個，樓梯比較陡滑，大家在登樓的時候都注意腳下。
在敞軒內檐下我們可以看到一塊木制的匾額“共登青云梯”，它是原書法協會主席啟功先生所題。 （乾隆御碑前）
在我們面前的這塊石碑就是乾隆的御制詩章碑。乾隆皇帝曾經九過東昌（5次東巡，6次南巡，9次通過京杭大運河路過這里），六次登樓，在樓上即興做詩13首，這塊碑上就完整的鐫刻了5首。碑面兩首，碑陰兩首，碑側還有一首。
細心的可能已經發現，這塊碑的中間有斷接的痕跡，文革期間曾被拉倒毀壞過，史料記載，這里有兩塊乾隆的御制石碑，在文革后只恢復起一塊，另一塊已經對不起來了。
我們這塊石碑有它獨特的文物價值。這主要體現在兩點上，我們著重來看一下碑側這首詩。首先我們看它的字體，乾隆皇帝是中國歷史上一位非常有才華的皇帝，在他一生當中寫詩就達到了一萬多首，他在各個景點留下來的字也是相當的多，但乾隆皇帝在其他地方留下來的字多為行草或者是小楷字體，您看這首詩，它是行楷字體，這種字體是不多見的，所以比較珍貴，這是其一。第二點，這首詩是乾隆55年皇帝80高齡的時候最后一次登樓所題，乾隆皇帝80歲寫的詩相當少，所以，這首詩就相當的有意義了，我們看他的字寫的剛勁有力，圓潤流暢，由此可見我們這位皇帝的書法功底是非常渾厚的。如果大家對書法感興趣的話，一會可以仔細的揣摩一下。現在大家隨我這邊請。（一樓東門）
在一樓東門的門楣之上，我們可以看到一塊木制的匾額，這塊匾非常的有意思，您看一下右手邊第一個字，非常象我們現在所寫的東西南北的“東”字，但是這塊匾額是清朝時期所題，在清朝時期并沒有“東”字的簡寫，“東”呢應該是第三個字，這個字就是我們東岳泰山的“泰”字，“泰岱東來做翠屏”，意思就是說：巍巍的泰山也不過是光岳樓東面一座翠綠的屏障。作者用非常夸張的手法，來形容這個樓閣是非常的高大和宏偉的，它的作者就是清朝著名的詩人施閏章。施閏章字尚白，號愚山，安徽宣城人，當時官居山東的學政，他有個學生非常給他露臉，就是《聊齋志異》的作者蒲松齡，施閏章就是蒲松齡的老師。施閏章在做山東學政期間曾經斷過聊城一個非常有名案件—— 胭脂案，后被他的學生蒲松齡載入《聊齋志異》當中，就是我們的看到胭脂姑娘的故事（在我們湖心島的望岳亭重檐就繪有胭脂姑娘的故事，故此島也叫胭脂島）（一樓室內，古城模型邊）請大家到室內來。
在我們一樓的大廳，首先看到的就是我們聊城古城的模型圖。它是根據清朝嘉慶年間《東昌府志》的《東昌府城圖》制作的。從圖上我們可以看出，我們聊城古城的邊界是非常的方正，邊長是一公里，面積就是一平方公里。據于古城正中心的這個高大的樓閣就是我們現在所站的位置光岳樓。它是四條主干道的交叉路口，這四條主干道方向是非常的方正，呈十字形，其它大街小巷垂直交叉。從整體來看我們的古聊城就象是一個大的棋盤，跟古城西安有幾分相似，都是棋盤式方格網狀構架。
聊城自古便被譽為：“能陷不失的鳳凰之城”，就是說在當時我們聊城的防御體系是非常的完備的，現在我們就來看一下聊城的防御體系。首先我們看到就是古城墻，您看在四個角各有一個望敵樓，每隔一處有一個角樓，有東、西、南、北四個城門，城門外面的方塊叫做“甕城”，有個成語叫“甕中捉鱉”指的就是我們的甕城了。聊城的甕城跟其它地方的甕城有所不同，它的門都是扭頭門，這在當時更增加了它的防御性。甕城外高禿的部分為護城堤，中間的為吊橋，繞城一周的藍色地帶就是當時寬三丈，深兩丈的護城河，防御體系是非常的完備。
這種規模便是明朝建立初年駐守在我們東昌衛的首御指揮僉使陳鏞所建。聊城原為宋元所遺留的土城，陳鏞認為這種土城已經不能滿足當時的軍事需要了，為了跟元軍殘余部隊作戰，他便上書皇帝，由原來的蘇綠國，也就是現在菲律賓國家運來了一批進貢的楠木來建造聊城古老的城墻，然后他又用建造城墻所剩余的木料和磚石，在城的正中心建造了這樣一座具有軍事作用的樓閣就是光岳樓，所以建樓之初被人們稱為“余木樓”。又名鼓樓。
現在大家再順著我手的方向往上看，在上方有一個神龕，龕里供奉了一尊神像，他就是木匠的祖師爺魯班。（在聊城關于這座樓閣的建造有很多傳說，最流行的一個說法就是魯班設計建造的。傳說當年陳鏞下令建造一座樓的時候，工匠們老是拿不出方案，這時東昌府來了一位白發飄飄的老道，他左手拿著一把沒柄的斧頭，右手里托著一座小樓的模型，這個小樓模型的高是九寸九。一位老木匠看到后請求老道留下了小樓模型。然后他們照此模型擴大了100倍開始造樓。工程進行的很順利，樓蓋好了卻遇到了一個新問題，原來樓上的木頭老是活動，現加楔子急既來不及，也不易楔了。這時，老道又來了，他一聲不吭的砍了一大堆木楔子，然后用手一指，楔子全都飛上卯里，一個不多，一個不少，高樓馬上穩固了。老道又圍樓轉了三圈，木匠們也跟著轉，轉著轉著就看出了門道，此樓還有點向西北傾斜，但見老道最后在西北角把他的銹斧頭塞進樓基條石下，人們瞇眼一瞧，樓身還真正過來了，木匠們知道遇到了神仙，趕忙跪地叩拜，等他們抬起頭來，已不見老道身影，人們知道老道是神人，魯班顯圣了，于是，樓建成后，人們就把魯班的像塑在這里。），
“巧奪天工”四個大字便是末代皇帝的弟弟溥杰1988年為慶賀光岳樓被列為全國重點文物保護單位時題寫的。這四個字發出了對光岳樓的驚嘆！
神龕兩側可以看到一副紅色楹聯，上聯是：“泰山東峙，黃河西臨，月色濤聲，憑欄把酒無限好。”下聯是“層臺射書（魯仲連射書喻燕將），微鄉（殷紂王時期,封其兄啟于此,稱微子國）明志，人杰地靈，登樓懷古有余馨。”上聯寫景，描繪了聊城的地理位置，下聯寫人，說聊城自古人杰地靈，而登上這座樓，就可以讓我們想起古人創下的偉大業績。這是一副人景合一的對聯，是1933年聊城縣縣長孫桐峰所制，1992年10月由山東大學教授，著名書法家蔣維松先生重新書寫的。
現在我們再來看一下這個樓閣的主要構件。這個樓閣全部都是卯榫搭扣的木制樓閣，在它的主框架結構中，沒有用過一顆釘子。我現在手扶的這根兩邊有紅色抱柱的木柱一共有32根，我們在屋里可以數到12根，另外有20根是砌于磚墻之內的。樓閣是框架結構的樓閣，墻倒樓不倒，磚墻只是起到了擋風避雨的作用，起主要支撐作用的就是這32根木柱，這種木柱我們現在叫金柱，因為它非常的高大，當地人也叫它通天柱，它的高度是11.58米，從一樓一直通到三樓，它是一整根的木柱，中間沒有斷接的。這種木柱便是由原來的蘇綠國也就是現在的菲律賓國家由海運經京杭大運河運到我們聊城來的，它是一批貢木，當時是用進貢的木料來建造聊城古老的城墻，可以看出，在當時聊城的軍事地位是非常的重要的。
隨著明王朝統治的鞏固，此樓軍事功用很快被遺忘，但光岳樓卻以她雄偉高大而名揚天下。現在就請大家隨我登樓參觀。
因為樓閣是木制樓閣，為了防火，樓上沒有電，樓梯是比較黑的，所以大家在登樓的時候都注意腳下。
（二樓，攝影展聊城俯瞰圖前）
剛才我們已經看了聊城的古城模型圖，現在我們再來看一下這副圖片，它是2002年10月所航拍的聊城的俯瞰圖。從這副圖上我們可以看出，我們聊城古城保留的非常完整，邊界非常的方正，邊長一公里，面積就是一平方公里。位于古城正中心的就是光岳樓，四條主干道方向是非常的方正，東、西、南、北四座關橋就是當時東、西、南、北四座吊橋的原址部位，繞城一周的藍色地帶就是當時的那條護城河，但是現在經過幾百年的開鑿，已經形成了6平方公里水域面積的東昌湖，它是北方最大的人工湖，和杭州的西湖相當，它的儲水量是1.5億立方米，主要引用就是黃河水。從這副圖上我們就可以看出我們聊城這種獨特的城市格局：湖中有城，城中有湖，城湖河一體。一會我們便可以在四樓非常直觀的看到這種景觀。只是有一點比較遺憾，您看一下，這面是西面，從圖上我們可以看到西面的湖面是最窄的，這一部分水面已經讓房屋給擋住了，我們看不到了，但是我們可以看到西關橋，它就是當時西吊橋的原址部位。下面我們到乾隆行宮。（乾隆行宮內）
乾隆行宮是乾隆皇帝當年題詩和休息的地方。據《南巡盛典》記載，光岳樓為乾隆36行宮之一。
在行宮之內，我們可以看到墻壁之上有一副圖，它就是《南巡盛典圖.東昌段》，乾隆皇帝南巡之時帶了隨行的畫師，畫師用筆把沿途的景色描繪下來，集結成集后，有一部分便稱為《南巡盛典圖》，它就是其中的《東昌段》，再現了清朝時期聊城的部分景色.我們看一下,最高的樓閣掩藏不住的就是我們的光岳樓,往下是古老的城墻,再往下這條河就是歷史上非常有名的京杭大運河.這條河是元至元26年所開鑿的會通河的一段.運河給聊城帶來四百多年的繁榮史,特別是明永樂十三年,海禁,這條河就成了連通南北的唯一的一條水路通道,因此在當時聊城是非常的繁華,被譽為“漕挽之襟喉,天都之肘腋”,也有“江北一都會”的美譽。旁邊的塔就是聊城最古老的建筑，建于北宋年間的鐵塔，據今已經有一千所年的歷史了。
在乾隆行宮之內我們再抬頭往上看，由二樓我們就可以直接看到三、四樓的景致，這叫做“空井”，它是宋元的一種建筑風格。空井是用來通風、采光的，而在當時建造這個樓閣的時候，這個地方實際上是一個上料口。整座樓都是用木頭構建，用料很大，別的地方運很困難，所以通過這個地方用繩子把木料拉運上去，然后進行上層的建筑。
再往上看，我們就可以看到四樓的屋頂，一個非常漂亮的屋頂。是用木頭依次雕刻而出的一朵碩大的蓮花，周圍是荷花、菏葉和蓮子來襯托。它的學名叫‘藻井“，也叫“蓮花井”，古人把蓮花雕刻在屋頂之上有自己很深的用意，樓閣是木制樓閣，最怕的就是火，當時古人已經有了防火的意識，但是他們沒有措施，因此便把水中的吉祥物雕刻在屋頂之上，起一個警示的作用，提醒自己一定要防火。你看這朵蓮花，它是倒置在屋頂之上的，蓮都是生長在水中的，也就是說我們的屋頂便是水座的，“天水克地火”，古人巧妙的利用這種五行相克的原理，是希望這朵蓮花可以鎮住這個樓閣，給這個樓閣帶來一片祥和。
現在我們到三樓參觀。
走到這大家可以發現，我們的樓梯是越來越陡，越來越窄，因為當時是軍事功用，這樣易守難攻，便于防御。
（三樓上）
三樓是一個結構暗層，光線非常暗。它是一個過渡層，在這起到承上啟下的作用。
剛才在一樓的時候我給大家講過，我們這個樓閣是由32根高大的木柱起了主要的支撐作用，現在我們首先來看一下這32根木柱的頂端。（在梁枋下面）。這就是其中的一根，11.58米的高度就此終結。在它的上端周圍都是一些木頭的梁枋，是用圈梁的形式把內外兩漕圈起來，我們看到只是它最里面的一部分，外面還有一漕，中間有一定距離，在梁枋上方我們可以看到這些笨重的類似龍頭一樣的構件，它叫做斗拱，這些斗拱都是承重構件，它首先把下邊柱子上的壓力進行層層的向上傳遞，然后把樓上的壓力進行層層分解，這樣上下兩個方向的力達到了一個平衡。大斗拱外面檐壁之下還有200多個小斗拱，斗拱內外兩部分是連在一起的，這內外兩者之間又可以把內外的力層層的分解、傳遞，使內外兩個力達到一個平衡，由此我們可以看出古人在建造這個樓閣的時候已經把力學研究的相當的透徹了。好，現在我們到四樓參觀。
（四樓上）
四樓是我們這個樓閣的最頂層。四樓有四個嘹望口，這四個嘹望口就是當年明軍嘹望敵情的地方。由這四個嘹望口我們就可以看到聊城古城的全景。（站在南嘹望口）
現在我們所站的位置就是南嘹望口，您看到的湖面就是當時的護城河，現在的東昌湖，橋就是南關橋，是在原南吊橋的原址部位上修建起來的。在前方我們還可以看到一個古建筑群，它就是清朝四大私人藏書樓閣之一的海源閣。海源閣是由當時江南河道總督聊城本地人——楊以增創建，它是江北最大的私人藏書樓，與江蘇常熟翟紹基的“鐵琴銅劍樓”、浙江杭州丁申、丁丙的“八千卷樓”、浙江吳興陸心源的“百百（bi）宋樓”并稱為清代四大私人藏書樓。1972年，毛澤東主席作為國禮贈送給日本內閣總理大臣田中角榮的《楚辭集注》就是出自于海源閣藏書的影印本。
（站在西嘹望口）
我們現在所站的位置就是西嘹望口，西面的水域是最寬闊也是最漂亮的。前面的這座橋就是西關橋，也叫東昌大橋，還有個名字叫世紀拱橋。它是二十世紀末開始建造，二十一世紀初建成，有二十一個拱洞，象征跨入二十一世紀。這座橋是目前聊城規模最大，投資最多的一座橋梁，全長322米。它的護欄非常考究，全部都是采用北京房山一級漢白玉，用淺浮雕的手法雕刻了266塊《水滸》故事圖案，如果我們漫步東昌大橋一個來回，就象是看完了一整部的《水滸傳》。在西南方向我們可以看到一個半球形的建筑，它就是我們新城的標志性建筑——水城明珠大劇場。水城明珠大劇場是根據澳大利亞悉尼歌舞劇院，由北京清華大學設計建造而成的，全國唯一一個具有開啟閉合功能的歌舞劇院，它的高度也是33米，九丈九尺，和光岳樓一樣高。里面一共有3636個新型座椅，它也是目前為止國內最大的室內單體劇場。
（站在北嘹望口）
我們現在所站的位置是北嘹望口，北面的水域是比較窄的，但是我們還是可以看得到水。前面的橋就是北關橋，是在原北吊橋的原址部位上修建起來的。由北面我們可以看到聊城獨特的城市格局，“湖中有城，城中有湖，城湖一體”，東昌湖以內的這些底矮的建筑就是古城區，湖以外的高樓大廈就是新城區。早在建國初期，為了保護聊城歷史文化遺產，在制定第一個城市規劃時，就確定了“保護舊城，開辟新區”的建筑原則，古城區內所有的建筑物的建筑高度都不能超過12米，也就是光岳樓一樓房檐的高度，因此，較完整的保留了聊城古城原有的風貌。
近處我們可以看到一個綠色植被比較多的方正院落，這就是范筑先紀念館。范筑先，山東館陶南彥寺人，著名民族英雄，時（1936）任山東省第六區行政督察員，保安司令兼聊城縣長。他積極擁護黨的抗日主張，堅持抵制韓復榘南撤命令，并于1937年11月19日通電全國，誓死抗戰到底。1938年11月14日，日軍侵犯聊城，由于頑固分子破壞，范筑先等不及撤退，堅守城池15日，日軍攻破城池，壯烈殉國。1987年，聊城地區行政公署和聊城市政府共同在此修建了范筑先將軍殉國處紀念館。中間黑色最大的石碑就是鄧小平所題的“范筑先殉國處”，旁邊有一個小的石碑，是1947年1月解放聊城時，八路軍某政治機關為保護固有文化免于戰爭損壞，向入城部隊發布的三項命令。其中第一條就是“向范筑先烈士墓地立正，敬禮”。第二條在海源閣，“保護中國四大私人藏書樓之一的海源閣圖書館”，第三條就在我們的東面了，“妥為保護傅斯年在北關街的住宅。”
（站在東嘹望口）
過了東關橋就是北關街了，傅斯年紀念館在北關街的東首。
傅斯年，字孟真，他是我國著名的史學家，教育家和社會活動家。曾做過北京大學代校長，臺灣大學校長等職務。傅斯年的一生，做了許多深有影響的大事。他創辦了歷史語言研究所，主持了山東城子崖龍山文化遺址和安陽殷墟的挖掘工作等。他是我國現代知識分子中的杰出代表，是一位學貫中西的學術大師，也是我們聊城的驕傲。
站在這，我再給大家講一下光岳樓名字的由來。光岳樓初名為余木樓，它是建造城墻剩余的木料所建，又稱“鼓樓”明成化22年，光岳樓大修后，東昌知府揚能，因其地處東昌，將其更名為“東昌樓”，明弘治九年（公元1496年），部考功員外郎李贊路過東昌，隨東昌太守金天錫登臨此樓。李贊對這個樓閣大為贊賞。他就是站在我們現在所站的位置，面向東面，隱約中就看到了泰山，據說倒退四五十年以前，在雨過天晴的時候是確實可以看到泰山的。在古時候，泰山是人們心目中的神山，因此李贊在他的《題光岳樓詩序》中這樣說道：“因嘆斯樓，天下所無，雖黃鶴、岳陽亦當望拜。乃今百年矣尚寞落無名稱，不亦屈乎？乃與天錫評，命之曰：光岳樓，取其近魯有光于岱岳也。”意思就是說這個樓閣靠近東岳的泰山，是受泰山神光的庇佑，所以取名光岳，一直沿用至今。
如果說這個樓閣確實是有泰山神靈的保佑也好，或者是說是蓮花井的警示作用也好，或者是聊城人們人為保護的好也好，這個樓閣631年來，大小火災一次都沒有發生過。631年了，它一直屹立于聊城古城正中心，見證著聊城的歷史和滄桑，它是聊城古城的標志性建筑，也是聊城歷史文化的象征。
好了，我們光岳樓的講解就到此結束了，下面大家可以自由的參觀一下，**分鐘后我們樓下集合。
Light on Floor
Dear Ladies and Gentlemen: We have before us the magnificent tall light tower is well-known mountain floor.
Yue floor light of national historical and cultural city ----- Liaocheng symbol. Ming Hongwu it for seven years (1374 AD), now has a 631-year history. According to Yue floor light in Liaocheng city center, in the construction of the pavilion's main role is to: "更漏strict, long-term perspective to see the enemy, time alarm," the military role. Pavilion reflects the Song, Yuan, Ming and Qing architectural construction to a transition in the history of Chinese architecture has a high status, so in 1988 when it was named the state's key conservation units.
Yue-kwong floor area of 1236 square meters, the appearance of four ridges重檐歇山cross the street-style pavilion, with east, west, south and north of four arches, the same four, the amount of tickets above the door puzzle, South said, "civilization", North Saying "Wuding," West said, "Lai-hing," East said, "Peace." From the building structure on it and at the same time the construction of the Xi'an Bell Drum Tower the same as the main building by the pier and is composed of two parts, we can see that the masonry structure with a high of nine meters (accuracy is 9.38 meters) is Piers, Piers is located in the main building above the height of 24 meters, the entire tower height and the bottom edge of the pass are 33 meters long, that is, the nine ancient Zhangting九尺, nine in ancient China as the number of very positive, meaning its height is not exceeded. 631 years ago, Yue-kwong, Liaocheng city has been building the highest most magnificent buildings.
The rest is up to please visit with me and other buildings. (At the beginning of登樓)
Because the construction of the pavilion at the time it is the military role, so this is the only channel up and down a relatively steep slippery stairs, we登樓attention at the foot of the time.
Xuan檐下within the open we can see a piece of wooden board, "Gordon Green has a ladder", which is the original calligraphy by Mr Qi Gong Association title. (Qianlong御碑ago)
In front of us is that this monument of the Royal Qianlong Chapter poetry monument system. Emperor Qianlong had been Dongchang 9 (5 times Tour East, southern 6th, 9th through the Beijing-Hangzhou Grand Canal pass by here), six登樓, improvisation upstairs做詩13, this monument is inscribed on the integrity of the 5. Monument surface 2, two碑陰, there is one side of the monument.
Carefully may have found the middle of this monument marks disconnect, leave had been destroyed during the Cultural Revolution, the historical records, there are two of the Royal system Qianlong stone, only to resume after the Cultural Revolution from a piece, another piece has been I am sorry come.
We have this piece of stone has its unique heritage value. This is mainly reflected in two points, we focus on the monument side look at this poem. First of all, we see the fonts, Qianlong emperor in Chinese history is a very talented emperor, in his writing throughout his life has reached more than 10,000 on the first, he stayed in various spots of the word is also considerable, but Qianlong emperors in other places to stay for Cursive characters or lower case font, you see this poem, it is行楷fonts, this font is rare, it is more valuable, this is one. Second, this poem is the Qianlong emperor 55 years when 80-year-old by the last登樓title, 80-year-old Emperor Qianlong wrote very few poems, so this poem is quite meaningful, and we see him write the word the vigorous and effective, smooth flowing, we can see the emperor's calligraphy, we are very simple and honest knowledge of. If you are interested in calligraphy, one can try to figure out a careful look.
Here with me now please.
(The first floor of the East Gate)
East Gate in the lintel above the first floor, we can see a wooden plaque, this plaque is very interesting, you look at the first word right-hand side, very like what we are now written by the North and the South's "East" word , but this board is the title of the Qing period in the Qing Dynasty, and there is no "east" of the abbreviated word, "east" it should be the first three words, the word is that we Dongyue Taishan's "Thai" characters, "泰岱Tsui East to do ", meaning to say: The Towering Taishan mountain is merely a light green floor, the east of a barrier. The authors used a very exaggerated way to describe the tower is very tall and magnificent, it is the author of the famous Qing Shi Runzhang poet. Shi Runzhang word is still white, No. Yu Shan, Anhui Xuancheng, and at that time Shandong Xuezheng官居, he is to his students get, that is, "Strange," the author of Pu, Pu Shi Runzhang is teacher. Shi Runzhang Shandong doing Xuezheng Liaocheng been broken during a very well-known cases - rouge case, after loading his students SONGLING "Strange," which is why we see the story of the girl rouge (in our Lake Heart Island岳亭look重檐painted rouge on the girl's story, the island is also called rouge Island)
(First floor room, while the ancient city model)
Please come to the room.
The first floor in our room, first of all that we see the model Liaocheng city. It is based on years of the Qing Dynasty Jiaqing "Dongchangfu chi" and "Dongchangfu city map" produced. From the chart we can see, we Liaocheng city side of the border is, while it is one kilometer long, is an area of one square kilometers. According to the ancient city is the center of the tall tower is the station we are now the location of light-dake floor. It is the crossroads of the four main road, which is the direction of the four main road of the Founder, was a cross, the other a vertical cross-streets. Overall, as our ancient Liaocheng is a big chessboard, with a bit similar to the ancient city of Xi'an, is the framework of grid mesh grid.
Liaocheng since ancient times as they: "can not lose the Phoenix settlement of the city", that is to say we were Liaocheng in the defense system is very complete, and now we look at the Liaocheng on the defense system. First of all we see is the ancient city wall, you do not have a look at the four corners敵樓every one has a turret, there are east, west, south, north four Shing, Shing Mun outside the box called "甕城"There is a proverb called"甕中捉鱉"refers to the甕城our. Liaocheng甕城with other parts of the甕城is different, because it turned the door is the door, which at that time, it also adds to the defensive. Taiwania甕城outside the high part of the city retaining embankment, the middle for the bridge, the beltway week was a blue zone三丈wide, deep moat of兩丈, defense system is complete.
This scale is the establishment of the early years of the Ming Dynasty stationed in our first Royal Dongchang command Wei Qian Yong Chen built so. Liaocheng was left over from the Song and Yuan Dynasties Tucheng, Chen Yong Tucheng think this can no longer meet the needs of the military at that time, in order to combat with residual Yuanjun, he released a letter to the emperor, the Soviet Union from the Green Power, which is now the Philippine National transported to a number of tribute to the construction of nanmu Liaocheng ancient walls, and then he left with the construction of the walls of the timber and masonry in the city center with the construction of such a military role in the loft floor is light-dake, so building the early days of being referred to as "more than木樓." Also known as Gulou.
Let us now follow the direction of my hand up, in the top of a shrine, dedicated to a niche where a statue, he is the carpenter Lu Ban祖師爺. (In Liaocheng on the construction of the pavilion there are many legends, one of the most popular design that is built in Luban. Legends Yong Chen was ordered to build a floor, when the craftsmen老是拿not see the program, when Dongchangfu to the Music of the Road, a white hair, he left no one with the ax handle, right hand holding a small building in the model, this small building is a nine inch high model of 9. an old request to see a carpenter Road left a small building model. and then they broadened the basis of this model to start building floor 100 times. works very well, good floor, it will encounter a new problem, the original wood floors are always activities, are additional wedge both anxious time, but also a hard wedge. At this time, Road again, he's cut a lot of silent wooden wedge, and then手一指, wedge d fly in all, a little, a lot of , a strong high-rise immediately. Wai House Road and turn three times, followed by a carpenter who also transferred, the transfer to the Road to see that the floor still tilted to the northwest, but see the last section in the northwest corner of his rust axes into the stone floor, under the rules-based, people squinting一瞧, are also building up a genuine, experienced carpenter gods know,叩拜down quickly, and they looked up, have not seen Road, people knew that God Road people, Luban Vision, and therefore, the property completed, people just like plastic Luban here.),
"Representing" the four characters is The Last Emperor's brother in 1988 to celebrate Pujie Yue Floor Light is listed as key national heritage conservation units inscription. Words sent a light-dake amazing floor!
Shrines on both sides of a red couplets can be seen, the joint is: "Zhi, Shandong and Thailand, west of the Yellow River, the moonlight濤聲, lean on a railing is infinitely good wine." Is下聯"layer of Taiwan launched the book (the book魯仲連shot喻燕will be), micro-township (殷紂Wang period, the closure of Kai brother here, said the country sub-micro) Mingzhi, outstanding,登樓have余馨tone. "寫景the Alliance, described the geographical location of Liaocheng, who wrote下聯that Liaocheng has always been outstanding, and the board這座樓, you can record reminds us of the great performance of the ancients. This is one of a King who couplet is Liaocheng Prefecture in 1933 the system孫桐peak, in October 1992 by a professor of Shandong University, a famous calligrapher Mr. Jiang Weisong re-written.
Now we take another look at the main components of the tower. The pavilions are all mortise and tenon wooden hasp pavilion, the main frame in its structure, not a nail used. I now hand the root of this column on both sides of the red wooden pillars hold a total of 32, we can be in the house number to 12, while block 20 is within the walls. Pavilion Pavilion is a frame structure, the wall would not be brought down by floor, brick wall rain only play the role of the wind as a major supporting role is that of the 32 wooden pillars, wooden pillars that we are now called Kim, because it is the tall, the locals also call it pass Tianzhu, its height is 11.58 meters, from the first floor has lead to the third floor, which is a whole root of the wooden pillars, there is no disconnect in the middle. This is the wooden pillars of the Soviet Union from the green country of the Philippines is now the country by the sea by the Beijing-Hangzhou Grand Canal to Liaocheng to us, and it is a group of kung wood, then wood is tribute to the ancient city wall built Liaocheng, you can that at the time of the military status of Liaocheng is very important.
Dongguan had Beiguan Street Bridge is, and Fu Guan Memorial Hall in the North East First Street.
Fu, Meng true character, he is well-known historian, educator and social activist. Peking University has done on behalf of principals, heads of universities in Taiwan and so on. Fu's life, done a lot of deep impact event. He founded the Institute of History, chaired the Longshan Culture in Shandong Chengziya Yin Ruins in Anyang sites and the excavation work. He is of modern intellectuals in the outstanding representative of a school's academic master of both Chinese and Western, is also the pride of Liaocheng.
Stand this, I give you light to talk about the origin of the name of mountain building. The beginning of light known as Yu Yue木樓floor, which is the remainder of the construction of walls built of wood, also known as "Drum" Ming Chenghua 22 years after the overhaul floor light Yue, Yang Dongchang can知府because Dongchang located, will be renamed as "floor Dongchang" Koji prescribed nine years (AD 1496), the Ministry of Examination員外郎Gong Li Chan Dongchang passing, with the金天錫Prefecture Dongchang the floor board. Lee Chan significant appreciation of the pavilion. He is standing on the station we are now the location for the eastern side of the lines seen on the Mountain, is said to back四五十年ago, when the storm really can see the Mount Tai. In ancient times, the eyes of Taishan Mountain is so Chan-Lee in his "Poem title sequence optical Yue House" in said: "The Adams House sighed, and the world, which is, though Hwanghak, they should look Yueyang al. Is this century is still lonesome down without having the name, do not also屈乎?天錫is with the comment of the said Order: Optical Yue House, lesser light in the near Lu also岱岳. "mean that is close to the pavilion Dongyue Taishan, Taishan Shenguang is subject to the blessing, so named Yue-kwong, are still in use.
If it is indeed the house of God or the gods Taishan, or wells that lotus or warning, or the protection of Liaocheng good people or man-made, the tower 631 years ago, the size of the fire has not happened once. 631 years, it has been standing in the center of the ancient city of Liaocheng, Liaocheng witnessed the history and vicissitudes of life, it is Liaocheng city landmarks, history and culture is also a symbol of Liaocheng.
Well, we light on the mountain on the floor of this end, the following are free to visit us about ** minutes after we set the ground floor.
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